Inspiration

Articles to inspire authentic living on the topics of resilience, spirituality, and self-growth with touches of storytelling, depth, and humor.

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Alfonsina Betancourt Blog

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The loving eye
Spirituality, art Spirituality, art

The loving eye

Las year I had the wonderful opportunity to study with one of my favorite painters, Antonio Lopez Garcia (b. 1936 in Tomelloso, Spain) for the second year in a row. This exceptional artist with his eighty-three years-old wisdom, opened my eyes in a very dramatic way. It literally felt as if he had drilled through the cement glasses I had been wearing. His poetic words and his guidance guided me through the beautiful path of relearning how to see, not only as an artist but as human being.

According to Zen Buddhism, I experienced what is called “Beginner’s mind.” It involves casting away all our preconceptions to see the world with renewed openness and eagerness as if we were learning something for the first time, as if were curious kids whose brains want to absorb the world around them. Despite all the years I had been painting before I was able to attend Antonio Lopez’s workshop, the experience taught me more than any other class, book or practice hours in the studio.

From all the knowledge, my favorite lesson was to learn how to observe the world with mindfulness, with care. After a few days, I felt as if I was in love with the world in a way I had never been before. The sun was beautiful, the clouds, the gentle rain, the leaf that fell at my feet, the amorous manner in which an older couple walked holding hands, the particular way my soul vibrated while listening a song, the shared laugh with friends. I was not passing through life, I was living. I started appreciating the beauty in all the things we usually overlook: the uneven pavement, the cars stuck in traffic, the sad face of a cashier.

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Life Lessons From Art History
art art

Life Lessons From Art History

Today it would have been Virginie Avegno Gautreau’s birthday, better known as Madame X. She was the subject of one of John Singer Sargent’s most iconic paintings and a personal favorite.

Sargent had earned an esteemed reputation as a portrait artist by that time, one that was strongly influenced by his constant success in the Paris Art Salons and ample clientele. The painter was fascinated with Gautreau defiant personality, her exotic looks and elegance and ability to attract attention as a cherished socialite. I don’t know why Sargent then decided to take the biggest risk of his career.

He Asked Gautreau to pose for him. He spent days around her sketching her in different poses and then decided to paint her in a standing pose, featuring her profile, her svelte figure, her tiny waist in that provocative dress. It was in fact one the simplest and most brilliant paintings he had done. But it was not what catapult “Madame X” into the hall of fame of art history, it was a fallen strap.

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Analogies between painting and life

Analogies between painting and life

Maybe it is because of the rainy, melancholic day but I have been thinking a lot today about our reasons for quitting either be a painting, a goal, a team, a relationship.


Artists get asked often how do they know a painting is done. In my case, I can put my brushes away the moment I feel the painting breathes on its own, it looks back and me and I change (even if is slightly) every time I look at it. Being that the standard, it is very easy to know when a painting is not done as well.

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